French Impressionist Painter, 1840-1916 .was a French Impressionist artist described by Gustave Geffroy in 1894 as one of the "le trois grandes dames" of Impressionism alongside Berthe Morisot and Mary Cassatt.However, her often omission from books on women artists indicate the success of her husband, F??lix Bracquemond, in his campaign to thwart her development as an artist.  Related Paintings of Marie Bracquemond :. | On the Terrace at Sevres (nn02) | portrait of mademoiselle charlotte du val d ognes | The Lady in White | The Artist Son and Sister in the Garden at Sevres | The Artist Son and Sister in the Garden at Sevres |
Related Artists:
Alexander Adriaenssen
Flemish Baroque Era Painter, 1587-1661 Flemish painter. He was the son of the composer Emanuel Adriaenssen and brother to the painters Vincent Adriaenssen (1595-1675) and Niclaes Adriaenssen (1598-1648/9). In 1597 he was apprenticed to Artus van Laeck (d 1616) and in 1610 became a master in the painters' guild. In 1632 he took on Philips Milcx as apprentice, and in 1635 he painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new governor. Adriaenssen's many signed and often dated oil paintings on wood and canvas are all still-lifes, mainly of food on tables with copper- and tinware, glass and pottery (e.g. Still-life with Fish, 1660; Amsterdam, Rijksmus.). There are four paintings of vases of flowers, but vases of flowers, as well as single flowers on the table, also appear in other still-life combinations. Only two canvases are known in which he worked with figure painters: a garland of flowers around a painting of the Holy Family (Ghent, Paul Boterdaele priv. col.) by Simon de Vos and a porcelain bowl of fruit beside a Virgin and Child (ex-Gal. 'Den Tijd', Antwerp, 1982) attributed to a follower of Rubens. His compositions are graceful and balanced but somewhat stereotyped, and they are bathed in a soft chiaroscuro.
James Ward
English Romantic Painter, 1769-1859 English painter and engraver. He was the most important animal painter of his generation. Many of his dynamic compositions depict horses, dogs or wild animals in agitated emotional states, the sense of movement being reinforced by vigorous brushwork and strong colours. With their sweeping landscapes and dramatic skies, his canvases epitomize Romanticism. Not content to excel merely as an animal painter, Ward also produced portraits, landscapes and genre and history paintings of varying quality.
BASSA, Arnaldo
(c. 1350-1400)